Has Michael Moore created a masterpiece? Will the company that brought us "Song of the South" (Synopsis, Order here) block US distribution of the film for a tax-cut? How long was the standing ovation at Cannes for the debut?
Read Desson Thomson's review in the Washington Post here:
'Fahrenheit 9/11': Connecting With a Hard Left (washingtonpost.com)
Or this review by Roger Ebert:
Less is Moore in subdued, effective '9/11'
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